Grains of Glass

An open studio for enamel artists worldwide

Grains of Glass Open Studio brings together Enamel Artists worldwide of every level to share their art and knowledge all under one roof.


One Country & Island at a time...


Argentina, Australia,Austria, Barbados, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Croatia, Czech Republic, Cuba, Denmark, England, Estonia Republic, Finland, France, Germany, Greece, Hungary, Hong Kong, Italy, India, Indonesia Iran, Ireland, Israel, Japan, Jamaica, Macedonia, Mexico, Netherlands, New Zealand, , Poland,Portugal, Puerto Rico, Republic of Georgia, Republic of Korea, Romania,  Russia, Senegal,Serbia, Singapore,  Slovakia Republic, , St. Johns, St. Lucia-V.I., Scotland, South Africa, Spain, Sweden, Switzerland, Taiwan,Trinidad & Tobago,Turkey, UK, Ukraine, USA, Venezuela, Wales



Latest Activity

ritu sangal posted photos
1 hour ago
Trish White left a comment for chris hierholzer
"I am going to make you a necklace that you will HAVE to WEAR!!"
9 hours ago
Profile IconSharon Burchett and Peter Angel joined Grains of Glass
10 hours ago
Khatuna Roinishvili posted a photo
chris hierholzer commented on chris hierholzer's photo


"Forgot to say it is the Fordom k. 1030 model. Thanks......:)"
chris hierholzer commented on chris hierholzer's photo


"Has anyone bought and used the new Fordom Micromotor? I believe it is cordless and will run for 5 hours without a charge. Let me know if you find it to be a solid and reliable tool. Thanks, Chris"
Trish White posted a blog post
Kimberly Nogueira left a comment for Rudolf Molnar
"Hi Rudolf, Your work is so beautiful! I don't etch silver. I actually etch copper plates and use those with silver metal clay to get a similar look. Here is a link to some information about etching…"
chris hierholzer commented on Trish White's photo

Completed TeethJPG

"Trish.....I know someone that wants 100 of these before Halloween. When can you get them to me?"
Karl Wunderlich replied to Rudolf Molnar's discussion Enamelling on 18K white gold
"I have enamelled on Pd white golds (but there are hundreds of different alloy compositions out there). In my experiance they are fine to work with. The rough outer layer of the casting should be removed though - just to make sure not to have a…"
Yvonne Cupolo commented on Antoinette Magaletta McClure's photo

Music Stand

"It's beautiful, and the form works so well to integrate the enamel with the wood. I love the enamels...the color, and the vitality of the design. It's a great piece."
Ann Davis commented on Ann Davis's photo


"Thanks Antoinette!"
Jo Ann Wadler posted photos
Antoinette Magaletta McClure commented on Judith Junger's photo

blue road

"Wow. Beautiful blues. Reminds me of 1 of my favorite stones we work with...Larimar from the Dominican Republic."
Antoinette Magaletta McClure commented on Ann Davis's photo


"Love the beautiful enamels and the chain is wonderful. "
Antoinette Magaletta McClure commented on Antoinette Magaletta McClure's photo

Music Stand

"Thanks so much, Trish. Always an honor to be featured with so much talent on this site. Another music stand in a month or so. Happy enameling artist friends."


We can now translate your questions in:


FRENCH: si vous ne parlez pas anglais vous pouvez poser votre question sur l'émaillage en français dans la boite de discussion ci-dessous. Un membre    la traduira en anglais pour les autres membres,  les réponses vous seront aussi traduites

ITALIAN: Se non parlate inglese, scrivere la tua domanda in italiano sulla smaltatura in  la casella di discussione   qui sotto e   
un membro sarà la traduzione in inglese  per gli altri membri, le risposte sarà anche tradotto

GERMAN: Wenn Sie nicht Englisch sprechen und eine Anfrage über Email stellen möchten, schreiben Sie Ihre Frage auf Deutsch im Forumbox unten
Die Frage  wird von ein Forummitglied  ins Englische übersetzt . Die Antworten werden für Sie auch ins Deutsche übersetzt werden


Enamelling on 18K white gold 13 Replies

What type of 18K white gold is better for enameling, with palladium or platina? And any advice about using reds,oranges?Thank youR.Continue

Started by Rudolf Molnar. Last reply by Karl Wunderlich on Tuesday.

MA Studies

I have just begun a very intense one year MA Fine Art course at Norwich University of the Arts, England. My focus will be on painting but the connection between enamel and oil paint in terms of create process and design are one and the same for…Continue

Started by janly Jaggard Oct 13.

Selling all my enamels and enameling equipment -- price now $600

This is probably of interest only to those in the northeastern United States. I am selling everything I own related to enameling, and I would very much like to find a good home for it.  For details, please see …Continue

Started by Herv Peairs Oct 6.

Favorite supplier 3 Replies

As someone new to enameling, I am wondering who your favorite supplier is and why......I need to order some basics plus more colors. I am afraid I will always be lured into buying more colors! Thanks!Continue

Tags: supplies, Enamel

Started by Beth deVitry. Last reply by Beth deVitry Oct 5.

Enamelling On Stainless Steel 4 Replies

Dear all, could anyone kindly advise me if it is possible to enamel on high grade stainless steel (316L)? From what I understand it may be possible with high expansion enamels, but I do not who produces these or where to source them? Does anyone…Continue

Started by Vincent. Last reply by Charles Winkel Oct 2.

Edges of copper after enameling 12 Replies

Hello Everyone --Does anyone have success cleaning the edges of copper after enameling pendants, etc.?Any special files or abrasives to use?Thank you,Mary RoseContinue

Started by Mary Rose. Last reply by Mary Rose Sep 28.

Can you tumble polish Cloisonne? 7 Replies

I read somewhere before where an artist said you could tumble polish cloisonné jewelry but I've not found any information on that to confirm that this is a safe practice.  Has anyone here had any experience with this?  Do you recommend it, recommend…Continue

Started by Delia Stone. Last reply by Jeanie Pratt Sep 21.

Selling all my enamels and enameling equipment

This is probably of interest only to those in the northeastern United States. I am selling everything I own related to enameling, and I would very much like to find a good home for it.  For details, please see …Continue

Started by Herv Peairs Sep 17.

Uhlig spare parts 2 Replies

Anybody knows where I can buy spare heating element for my Uhlig U15 kiln? My kiln died last night and I have lots of work to finish :/Thank youR.Continue

Started by Rudolf Molnar. Last reply by Doris Schmidt Sep 12.

Enamel buttons 2 Replies

What kind of special care would be needed for enamel buttons? Are they practical?

Started by Cheryl Thorpe. Last reply by Cheryl Thorpe Sep 8.


"Art is not what you see but what you make others see" Edgar Degas


These featured selections of Enamel Art are from our Members.


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Blog Posts

RIO GRANDE - Sante Fe Symposium Registration

Posted by Trish White on October 22, 2014 at 6:35am


Posted by Trish White on October 15, 2014 at 5:31pm


Posted by Trish White on October 15, 2014 at 5:28pm


Posted by anne havel on October 15, 2014 at 4:41pm — 5 Comments


Posted by anne havel on October 15, 2014 at 4:37pm

Fall Show - Marianne and William Hunter

Posted by Trish White on October 15, 2014 at 9:30am

ON THE TRIVET.... insights and information

You are Invited............






India Habitat Centre

Lodhi Rd

New Delhi

11:2am - 7pm

6:00 pm Opening


           The Riker Bros.

Newark, New Jersey

The Riker Brothers jewelry firm was most notable as one of the few American companies to create plique-à-jour enamel jewelry, which included beautiful Art Nouveau styles, Japanesque water birds, and Renaissance style pendants and brooches.

Early on they manufactured Masonic and religious goods, gold fob chains and charms. In the 1870’s they added onyx and cameo lockets and rings to their line and eventually expanded to include high quality jewelry in platinum and gold. In 1916 at the Newark Industrial Exposition the pieces exhibited by Riker Brothers included platinum jewelry with diamonds, pearls and colored gemstones.

The history of Newark, New Jersey as the center of jewelry production in America began in 1801. At that time, American-made luxury goods were looked down upon. This new industry in Newark, which emphasized quality and honesty, went a long way to build up the desirability of made-in-America gold and silver items.

William Riker was born the son of Dutch immigrants in Montclair, New Jersey in 1822. At the age of 15, as was the custom of that time, William began an apprenticeship with Taylor & Baldwin where many prominent jewelers were trained. He continued his studies in New York City with Downing & Hoyt. In 1846 Riker partnered with George H. Tay, opening a shop in Newark on Quarry Street under the name Riker & Tay. The firm’s rapid growth resulted in a need for additional space and equipment. The solution was a buy-out of Bliss & Dwight at 379 Broad Street lock, stock and barrel with relocation to their facility after only a year.

Griffin Brooch Set with Seed Pearls. Photo Courtesy of Lang Antiques.

Feeling the lure of the California gold rush, Tay left the company in 1849 to lead the life of a gold prospector. A new partnership was formed with Horace Goble, renaming the firm Riker & Goble. In 1859 the company once again relocated, this time to Green Street where it remained until Goble’s retirement in 1864. The business continued, using William Riker’s name, until his three sons were old enough to join the firm thus creating Riker & Sons. In 1870 the nomadic firm once more changed locations, this time to a schoolhouse at 42 Court Street.

Over the years, William Riker became known for several patents involving mechanical processes in the surface ornamentation of jewelry. In addition, William held a patent on a sash fastener. In 1892 William withdrew from the firm along with one of his sons. The two remaining sons changed the name of the company to Riker Brothers, closed their New York selling office and moved to 42-46 Hill Street. William Riker died in 1898 and the company continued under William Jr.'s leadership. Joseph Riker, William’s other son, left the firm and became president of the Newark Manufacturing Jewelers’ Association and president of the Merchants National Bank. The offices remained on Court Street until 1926 when they moved to Indianapolis, Indiana where they remained until the 1940’s.

Riker Bros Jewelry Maker's Mark

Riker Bros.

Riker Bros.svg

Riker Bros.
Newark NJ


Riker & Tay
Riker Bros.

  • Patented processes for surface ornamentation of jewelry and an improved sash fastener.
  • Manufactured gold fobchains and fobs.
  • Early manufacturer of Masonic jewelry.
  • Worked in plique-à-jour enamel.

Riker Bros Mark.jpg Riker.jpg


Bead Style Magazine

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Call For Artists

Call for Entries: California Now – Clay, Glass & Enamel Juried Exhibition


Hello Former FSG members,

Join FSG now and your receive 3 months of membership free!   

Take Advantage of Fabulous Benefits
You will receive a full year of spectacular benefits, including priority registration, a discount of 25% or more on classes and workshops.  Our newsletters, as well as back issues, are always available on-line.  Display opportunities, scholarships and member-only emails are just part of the fun.

Receive Member- Only Emails - 
Artists Opportunities emails are sent monthly with listing of competitions, shows, internships, and galleries looking for new work.  5 members this past year let me know that they had placed in competitions that they had learned of through these FSG member only emails.  This is for Members Only, so don’t miss out!  You will receive these through the end of 2015.  Here is a sample:


Click here to joinl:  (paypal is available)

Here is a sample:

Artist Opportunities from FSG ~ 

The Northeast Chapter would love to see everybody at Winter Workshop ... but the truth is, we only have a few spaces left.  Don't miss out - check our website for information and a downloadable an application at 

Cloisonne Enamel with Linda Darty,

Stoned & Cuffed (hydraulic press) with Joanne Hernandez,

Woven Metal with Jeanie Pratt (Grains of Glass current Featured Artist),

Pewter Fabrication with Lisa Slovis Mandel,

Line + Link (forging design + creative chain links) with Paulette Werger.

Questions? Email us at


Jeanie Pratt



I grew up in Marin County, just north of San Francisco and in the early 1970’s was apprenticed to Master Weaver Carol Beadle for 2 years.  I have been passionate about textile arts and color ever since.  Later I graduated from the University of Arizona with degrees in entomology and botany with a minor in art.  When in college I was accused of liking the gaudy, colorful insects and in hindsight there was some truth to that.  

My passion for colorful ethnic textiles lead me into the Peace Corps in Guatemala and The Gambia where I taught beekeeping.  Working with the African bees in The Gambia took some of the romance out of beekeeping, but I found other romance as I met my husband there.  He worked for an international British telecommunications company.  I had hoped we would be sent to another African country, or perhaps to Asia to continue my study of ethnic textiles. At first I was greatly disappointed when we were posted to the British Virgin Islands where they only had one traditional basket maker left on the island.

Needless to say I adapted and developed a love of scuba diving with the flamboyantly colorful underwater world.  I am drawn to creatures that are real but surreal.  These I interpreted into my own weavings.  I also developed an interest in jewelry due to the excess of tourist jewelry stores in the region and began experimenting with jewelry made with textile techniques.


Lots of life happened.  My husband and I settled on the Central Coast of California and I have had a career in working in human services.  I pursued learning textile techniques in metal and exchanged my yarn for wire in my weaving, studying with Mary Lee Hu, Arline Fisch and Susan Elizabeth Wood, among others.  

I yearned for color in my jewelry and learned to enamel and anodize niobium.  My passion for enameling keeps growing and growing.  I have had a number of “aha moments” in enameling and they keep on coming!  I initially learned to enamel from Carol Holaday at Monterey Peninsula College.  She introduced me to Fred Ball’s book Experimental Techniques in Enameling.  I first considered inlaying woven metal (weaving, knitting, bobbin lace and looping) in enamel from reading this book.


My next “aha moment” was during a Deb Lozier workshop where I realized that there a number of unconventional ways of working with enamel.  Enamels are sturdier than I thought and that they can be repaired.  Some major enameling “aha moments” happened in a Barbara Minor workshop at Arrowmont—which included enameling with seed beads and bonding embossed silver foil to sheet metal with enamel.   Many more “aha moments” happened in a workshop with Linda Darty last year.  I am actually doing cloisonné—it reminds me to never say never.


I metamorphosed from working for Social Services in Santa Barbara County to being a full time studio artist a year ago.  I am thrilled to incorporate my life long interests in entomology, textile arts and newer passions for metalsmithing and enameling in my “Bugs are Beautiful” series. I have a “Sea Series” on the back burner.  Since I considered my job at Social Services as my “production line” of income I am now able to concentrate on making one of a kind pieces, always with some new twist on a technique with which I have played.  I am so grateful! 


International Symposium


“Venetian” enamels on copper from the Italian Renaissance. Artistic geography, collecting, technology

16th-18th October 2014
Venice, Fondazione Giorgio Cini 

Dear colleagues and friends,

- Some of you may have already received this information, excuse us if this is the case -

Please see below a message from our colleague Françoise Barbe from the Louvre.

You will find all information about the meeting on Renaissance venetian enamels organised  in Venice next October.

It is not so often such an event takes place and we hope it will be successful. Thank you to the organisers!
Agnès Gall-Ortlik
Leader of the ENAMEL network
ICOM-CC Glass and Ceramics WG assistant coordinator


De : Barbe Francoise 

Mesdames, messieurs, chers collègues,
Dear Sir or Madam, dear colleagues,
Je suis heureuse vous annoncer que le colloque « Les cuivres émaillés dits vénitiens de la Renaissance italienne. Géographie artistique, collectionnisme, technologie » - organisé par l’Institut d’Histoire de l’Art de la Fondation Giorgio Cini, en collaboration avec le musée du Louvre et le Centre de Recherche et de Restauration des Musées de France à Paris -, aura lieu les 16, 17 et 18 octobre 2014 à Venise.
Je vous prie de trouver ci-joints le programme et le communiqué de presse.
The study research on Renaissance Venetian enamels has gone well thanks to your help regarding the pieces conserved in your collection. We are very grateful to all the persons and institutions that helped us.
I am delighted to tell you that the symposium “Venetian enamels on copper from the Italian Renaissance. Artistic geography, collecting, technology“- organized by the Istituto di Storia dell’Arte della Fondazione Giorgio Cini, in collaboration with the Musée du Louvre and the Centre de Recherche et de Restauration des Musées de France in Paris -, will take place on 16-17-18 October 2014 in Venice.
Please find attached the programme and the press information.
Bien à vous,
Best regards,
Françoise Barbe
Conservateur en chef
Département des Objets d'art
Musée du Louvre
101 rue de Rivoli
75058 Paris cedex 01
Tél. : 00 33 (0) 1 40 20 50 34





How Silver is Used as a Catalyst?

A catalyst is a substance that facilitates a chemical process without undergoing change itself. In fact, without catalysts many chemical reactions would proceed so slowly that for all practical purposes, they wouldn’t occur at all.

Finely-divided silver when heated with oxygen forms silver oxide. Silver oxide breaks apart into the elements at the ethylene oxide formation temperature of 200 degrees C. The oxygen then reacts with the ethylene and the silver turns back into finely-divided silver. Taking advantage of the chemistry of silver oxide formation and its ability to break apart to produce reactive oxygen has been found to be the best way to
make ethylene oxide. The silver remains unchanged and acts as the catalyst in the reaction. Most ethylene oxide, or EO as it’s often called,

is used to make ethylene glycol which accounts for most of the world’s EO consumption. Ethylene glycol, in turn, is used to produce many products including polyester fibers for clothes and carpets, plastics, solvents and other chemicals, and even antifreeze formulations. By itself, EO is used to sterilize many health-care products and medical instruments, including delicate electronic or optical tools, which would be harmed by the high heat or radiation sterilization processes. EO is also used to accelerate the aging of tobacco leaves, as a fungicide, and even as a preservative for spices.

Another catalyst use for silver is to produce formaldehyde, which is the key ingredient in some plastics and synthetic fabrics, and is also used as a major component of plywood, building insulation, and embalming fluid. Watered-down solutions of formaldehyde are used as a disinfectant agent because they kill bacteria and fungi. Small amounts of formaldehyde derivatives are used in cosmetics and other products to keep them germ free.

About 90 percent of silver used as an industrial catalyst is for producing ethylene oxide from ethylene. More than 130 million ounces of silver are currently employed to produce ethylene oxide.

Researchers continually are experimenting with using silver as a catalyst in producing other chemical compounds with the goal of lowering production costs by speeding up processes or allowing chemical reactions to occur with less input of heat or use of extreme environments.



CALL FOR ENTRIES* Alchemy 3: Vision + Passion + Creation Building a new community with enamel, glass and metal



Juried Exhibitions


The exhibitions will travel in 2015 – 2016 to:


Montserrat College of Art, Beverly, MA • Summer 2015

Worcester Center for Crafts, Worcester, MA • Fall 2015

NH League of Craftsmen, Concord, NH • Winter 2016

McGowan Fine Art, Concord, NH • Winter 2016


*All entries must be submitted online by 12 noon E.S.T. on Wednesday, Nov. 12, 2014




15th Biennial International Juried Enamel Exhibition & 11th International Juried Student Exhibition – General Information


Submission Deadline: Nov. 12, 2014


Acceptance notification: Jan. 30, 2015


Exhibitions open during the Enamelist Society Biennial Conference at Montserrat College of Art, Beverly, MA and travel to Worcester, MA and Concord, NH.


Prospectus and submission


Entry fees: Member $35 — Non-Member $45 Student $15 (must be enrolled in a degree granting university or school)


Exhibition Jurors: Martha Banyas, Jim Malenda & Vera Siemund.


Cash awards will be given to exceptional works in both the international and student exhibitions.


Questions, please contact the Enamelist Society office:


Phone: 770-807-0142




PO Box 920220, Norcross, GA 30010  USA



sent in from:

Meghan Salgaonkar, India  

Kecskemét, Hungary

The 40th International Symposium of Enamel Art 2014

23.06.2014 – 20.07.2014





3rd Dutch Biennial Exhibition

October, 26 2014 –November, 30 2014

The theme is “BLUE”

Vernissage / Opening; October, 26 2014 at 14.00 hours;    

 Location: Kempenhof

    Address: Valkenhof/Kempenhof

        Antwerpsebaan 3 – 5554 JV

           Valkenswaard – The Netherlands.


Dear Artists,

Due to improved cost factors I have been able to lower prices for the 3rd Dutch Biennial in 2014.

I have also made a differentiation in the costs for members and non-members of the CKI.

The prices are now 45,00 Euros for non CKI members and 35,00 Euros for CKI members.

In this price is included a catalogue  which will be handed out during the opening of the exhibition.

 Please find attached the new entry form for your info and participation.

Hope to see on the opening day.

Kind regards,

Mary Mulder









The Saul Bell Design Award for 2014 is a jewelry design competition that challenges jewelry artists to push the limits of jewelry design and imagination. Choose from among seven categories and create a piece that tells a story, states your vision and encompasses the depth of your skill. Innovate. Play. Entertain & surprise us all!

                             1st Place Award in Enamels


Freedom, California



2nd Place Winner

Artem Kutyrev

Ekaterinburg, Russian Federation

Luminous Ring- Mandarin Fish

To view all the metalsmith artist winners just click here:

Incredible Artists!!!!






We're looking for a few great jewelry pieces!

The Art Jewelry staff is hard at work getting three galleries of work together for our next additions to the Art Jewelry Techniques app -- we want to show beginner jewelry makers what results are possible with masterful and creative application of some basic jewelry-making skills. Right now, we're looking at work that highlights the following techniques:

  • Texturing (This can be anything from hammered texture to scribed texture, to roll-printing. As long as your metal surface is rich and dimensional!)

  • Dapping and Swaging

  • Sawing and Piercing

Obviously, these are huge fields -- so there's lots of room for artists who experiment with new ways to produce the results they desire. We're going to narrow the field down to nine select jewelry pieces for each gallery.

Submit your work: Three categories, three editors!

Submit your Texturing images to Annie Pennington

Submit your Dapping/Swaging images to Theresa Abelew

Submit your Sawing/Piercing images to Hazel Wheaton

Hazel Wheaton
Editor, Art Jewelry



FOR THOSE OF YOU unfamiliar with this technique of Enamel Art


PLEASE allow me to re-introduce Master Artist







Mauricette Pinoteau is an enamelist living in Limoges. She specializes in  relief  technique, she learned this technique at the very famous " Atelier Camille Fauré "in Limoges ,during the 70's .
Mauricette is one of the only two living enamelists  that  studied  with  the  Masters  the secret  of  the  relief  technique.
Today she masters this almost magical style of enameling wich seems to defy the logic of enamelling.
She works and sells her work in her own gallery in the same town of Limoges.


Mauricette has provided us with a file to watch how this technique is done. 


Also,  go to Notebook 1, "Fauré Techniques" to read all about Camille Fauré and his studio.




















$1.00 is all it takes to support the web site.
Thank you for your contribution!




GOLD - $1,192.20
PLATINUM - $1,226
SILVER- $16.78


Check the Workshop Center tab for links to the schedules of more artist workshops in your area….



         Nov. 17-21

"Why Paint When you can Enamel"Workshop

Center for Enamel Arts



December 6-7

Some Like it Hot:

Torch-fired Enamels

Guilded Lynx

458 Main St, Ridgefield, CT 06877

T: 203.431.2400




Sept. 2014

Beginners Enameling




OCT. 10-12 - The Guilded Lynx, Ridgefield, CT



Boise, Idaho

Enameling Classes starting in June, 2014




Nov. 8.9.10, 2014

March 21, 22,23, 2015

Cloisonné Workshops




January 11- 16


   18th Annual
  Winter Workshop
       January 11 - 16, 2015
Linda Darty - Cloisonne Enamel
Joanne Hernandez - Hydraulic Press
Jeanie Pratt - Woven Metal
Lisa Slovis Mandel - Pewter Fabrication
Paulette Werger - Line + Link
Winter Workshop Team:
Sid Sharples    Chris Carlson    Terry England
Florida Society of Goldsmiths Northeast Chapter






A Quest for the Best

The 33rd Annual Smithsonian Craft Show 2015
April 22, 2015 to April 26, 2015
National Building Museum, 401 F St., NW, Washington DC

TIME OUT......

Places to go-People to see!








Watauga Festival Center
426 Watauga Rd.
Franklin, NC
The Newark Museum
49 Washington St.
Newark, NJ
A permanent exhibition of masterworks from the museums's extensive jewelry holdings dating back from the early 1700's to 2011.



Liza Nechamkin -

hand spun copper and fine silver bowls - hand made chasing tools.


 Medium temp/medium expansion

Most colors in stock 10% discount to GOG Members
 if you buy from Jean!

A donation will be made to GOG with every purchase.

Use Etsy code gog10 at checkout

Ships in 24 hrs

Contact: Jean Van Brederode, Thompson distributor

Phone: 717-919-7444




A dvd using a rare and beautifull technique that chris hierholzer has developed using sgrafitto with fine gold foil using a torch to fire instead of a kiln. the enamel is wet packed. it has lots of intructional and easy to read text and limited audio with optional torch set ups at the end.

 Torch firing is a perfect way to fire enamels for those with limited space and can't afford the high cost of a kiln.

click on: Ganoksin

or order through:

 coral shaffer
enamelwork supply co.
1 800 596 3257
1 206 525 9271



Thompson's Vintage

Milton Bridge


Mention Grains of Glass when ordering-


Pam East's Enameling on Silver Clay DVD


Hauser & Miller Inc.

Hauser and MillerBi-metal Sheet and Discs


A layer of 18k gold alloy with a rich yellow color or 22k gold alloy with a bright yellow color is bonded with sterling silver to form two distinct surfaces. The 18k gold layer is similar to that of most gold-filled products, while the 22k is two to three times thicker than gold-filled, giving it more workability. Surface treatments, such as engraving, scraping, folding, and twisting, can be used to accent the two surfaces.


Contact us: Hauser & Miller, 1-800-462-7447,


A Safe Way to Pickle!




DVD by Jim Lawson

Lapidary Journal


2012 Jewelers Guide to Treated and Created Gems





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